![](https://connormaguire.com/wp-content/uploads/2023/07/Printmaking-Ballyhornan-Cottage.jpg)
Rather than produce one WOODBLOCK and print one large piece I had to take into consideration the printing press size which I am restricted in regards of printing and carving the block. I decided to construct and build a new printing bed for the press which I have never done before and instead of producing one print I produced a triptych series in the form of a panoramic piece.The image consists of 3 different perspective views showing how I visualize SAUL church trying to maintain the characteristics of the building itself as well as give it a religious or iconic feel as I see it without being too dramatic using woodcut techniques .
You can view the the original prints on the link provided and they are available to purchase both as a large print and as individual prints . Carved in Birch, Sepia on Chinese Paper, 25cmx80cm. Woodcut and Linocut Prints
![](https://connormaguire.com/wp-content/uploads/2023/07/Printmaking-Ballyhornan-Cottage.jpg)
Linocut commission
I was contacted by someone who was born in N.Ireland but now resides and lives in Long Island , New York, USA. They used to live in a small cottage which is located on the small clifftops of Ballyhornan spending their days growing up on the east coast shores in N.Ireland.
When I was asked to try and create a linocut of this cottage and after visiting the coast where it was located I was stumped as to how can I produce something in order to capture the surroundings as well as the essence of the location.I took a series of sketches and compiled photographs creating a collage of images with the house being the main centre piece. Once more this is the first time I have ever done this using this method so everytime I think I know something there is to know about Printing or Painting I always find I learn something with each new project.
![](https://connormaguire.com/wp-content/uploads/2023/07/Life-print-run.jpg)
Woodcut Commissions
Some prints just freshly squeezed from the printing press.First time carving in pine as an experimental medium searching for choice of woods that might be suitable for carving .
In this case I used Grade-A Pine which is usually used in cabinet or furniture making .Grade-A pine is a soft wood but its important to avoid wood knots which make it imossible to carve therefore disrupting a print unless you can incorporate it into the image.In this case the woodblock only lasted a few runs through the pressure of the press due to different levels off the pine sinking.
Even though it only sank into each other by a fraction of a millimetre creating multiple plains it effects the final outcome of a print drastically so can put days if not weeks of work put to waste.I now use Birch for my woodcuts and sometimes Japanese plywood.